bilibili黄金眼

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值英玛褒曼诞辰百年纪念，受其启蒙的德国新电影领军人物之一冯佐妲，回溯大师的一生传奇。她走访镜头前后与大师合作无间的莉芙乌曼、深受其影响的新一代电影人包括奥利维亚阿萨耶斯、鲁宾奥士伦、卡洛斯索拉，及褒曼的儿子等，从他们的真知灼见，呈现褒曼的立体人像。本纪录片亦辑选了褒曼的珍贵片段、探讨其电影主题、到访其灵感泉源之地如斯德哥尔摩皇家戏剧院、以至回顾因税务问题而流亡德国的十年岁月，冯佐妲凭女性独有眼光和触角，层层剖析褒曼复杂的内心世界及光影迷思。

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故事发生在泰国偏远的丛林中，150 名就读于该国第一所民主学校的贫困孤儿学生准备在母亲节举行一场特别的庆祝活动，以纪念他们杰出的养母。

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几个世纪以来，埃及古物学家一直认为吉萨大金字塔是为陵墓设计的。但为什么金字塔内从未发现任何尸体或宝藏？如今，金字塔的历史可能即将被改写。我们将独家报道，跟随团队发掘并考察这座失落的陵墓，这是自图坦卡蒙陵墓发掘以来埃及最重要的发现。

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记录了这位演员从小镇出身到成为好莱坞明星的一生，并分享了家人和合作演员的见解。

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《碧血长空》系列纪录片，聚焦抗战时期中国空军的浴血征程。从初战告捷打破日军神话，到南京保卫战的悲壮折翼；从武汉空战的激烈交锋、远征日本的壮举，到守卫西南大后方、协同盟军夺回制空权，以珍贵史料与影像，展现中国空军以血肉之躯捍卫蓝天，书写保家卫国的英雄史诗。

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　　绑架受害者在这部纪录影集中，详述恐怖的痛苦遭遇，重现史上最复杂且极其危险的人质谈判事件。

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在第二季圆满收官后，我们回到迪丽斯库阿特农场，却发现一切都乱作一团。议会强制关闭了餐厅，天气又毁了庄稼。杰里米迫切需要寻找新的收入来源，于是他开始涉足养猪、山羊袭击和蘑菇山的世界。与此同时，晋升为农场经理的卡莱布面临着一位讨厌的对手。这是迄今最有趣且最令人心碎的一季。

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　　捕鱼是一项辛苦的工作，而捕捉蓝鳍金枪鱼则让人精疲力尽，在马萨诸塞州的格洛斯特，有一群特殊的渔夫，他们世代用钓竿和渔线捕捉行踪不定的蓝鳍金枪鱼。 他们以此谋生，蓝鳍金枪鱼数量稀少、价格高昂，是日本寿司的最高级食材，因此这行竞争异常激烈。

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　　For over 50 years, Hayao Miyazaki has been enchanting the world with his films. Tonari no Totoro (My Neighbor Totoro), Mononoke-hime (Princess Mononoke), Sen to Chihiro no kamikakushi (Spirited Away), or his latest film Kimitachi wa dō ikiru ka (The Boy and the Heron), to name only a few of eleven feature films, ten short films, several manga, and also through Studio Ghibli, a museum and a theme park. They form a luminous body of work and characters that have become cult classics. Miyazaki’s films, often autobiographical, also reflect the state of the world and the turmoil of the twentieth and twenty-first centuries, made of wars and ecological disasters. He was born in Japan in 1941, during World War II. As a child, he immersed himself in drawing manga until he had a revelation upon discovering Hakuja den (The White Snake Enchantress), the first Japanese colour animated film by Taiji Yabushita. From then on, he decided to devote his life to animation, this magical art capable of overcoming the darkness that had always deeply inhabited him... Thanks to exceptional access granted by Studio Ghibli to numerous film excerpts and rare Japanese television archives, we discover the life of Miyazaki as well as a profoundly ecological body of work that questions our relationship with the natural world and living beings. Thinkers like anthropologist Philippe Descola or philosopher Timothy Morton, as well as close associates, his son and film director Gorō Miyazaki, and Toshio Suzuki, his longtime producer and friend, bring us closer to this tireless, obsessive, and mysterious artist.

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