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最后的派对TheLastParty高清海报 - 星光影城_院线同步影视星光院线免费看,最新院线电影超前点播,韩剧美剧动漫同步更,4K 蓝光无广告院线资讯免费在线观看
917
6.0

最后的派对TheLastParty

导演:

MarkBenjamin,MarcLevin

主演:

小罗伯特·唐尼,罗伯特·唐尼

别名:

未知

影片信息

6.0

917人评分

英语

语言

1993-08-27

上映时间

96

片长

影片简介

RobertDowney,Jr.givesreportsandinterviewswithotherstarsinthisdocumentaryabouttheDemocraticNationalConventionin1992.

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已完结
为什么贫穷

评分:10.0

更新时间:02月13日

主演:Abu Badr,Umm Badr,Raouf Dabbas

简介:

  贫富不均对社会有什么影响?穷人真能掌握自己的未来?国际非营利组织STEPS INTERNATIONAL 所推动的《为什么贫穷?》(Why Poverty?)跨媒体计划,参与协同制作工作,与全球同步播出一系列探讨21世纪贫穷问题的纪录片。
  《为什么贫穷?》是由总部位于丹麦的国际非营利组织STEPS INTERNATIONAL推动的非商业计划。Steps曾在2007年推动过《为什么要民主?》(Why Democracy?)。而《为什么贫穷?》即以此为基础,希望用影片刺激大众讨论贫穷问题;计划共同发起人还有英国广播公司(BBC)和丹麦广播公司(DR),这两家电视台也是本计划的主要合作伙伴和推动者。
  这计划邀请了来自世界各地的纪录片导演,以“为什么贫穷”为共同题目,拍摄了每集一小时共八集的纪录片,让世界共同思考贫穷问题,探讨全球10亿赤贫人口的过去与未来。本系列纪录片于2012年11月起全球播放,台湾PTS与英国BBC、美国PBS、日本NHK、香港RTHK等在内的70余家电视台均加入联合播出,估计观众总数超过 5 亿人。
  第1集 Poor Us: An Animated History of Poverty / 当我们穷在一起:动画贫穷史
  第2集 Welcome to the World / 人之初 性本穷
  第3集 Park Avenue: Money, Power and the American Dream / 有钱有庇护:金钱、权力和美国梦
  第4集 Land Rush / 耕者无其田
  第5集 Give Us the Money / 摇滚救贫穷
  第6集 Stealing Africa / 生财有“盗”
  第7集 Solar Mamas / 太阳能妈妈
  第8集 Education, Education / 出路

阅读量:6880

年份:2012

为什么贫穷

主演:Abu Badr,Umm Badr,Raouf Dabbas

阿利:威利斯笔下的世界高清在线观看 - 星光影城_院线同步影视星光院线免费看,最新院线电影超前点播,韩剧美剧动漫同步更,4K 蓝光无广告院线资讯
540
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正片
阿利:威利斯笔下的世界

评分:6.0

更新时间:02月13日

主演:未知

简介:

Take one look at award-winning songwriter / artist Allee Willis and you see someone unafraid to be themselves. Dressed in a cacophony of prints and colors, her signature asymmetrical haircut and famed parties at her real-life PeeWee’s Playhouse, Allee didn’t waste any opportunity to tell you what she was about. But privately, Allee struggled with not fitting established gender ... (展开全部)

阅读量:5646

年份:2024

阿利:威利斯笔下的世界

主演:

情感的力量高清在线观看 - 星光影城_院线同步影视星光院线免费看,最新院线电影超前点播,韩剧美剧动漫同步更,4K 蓝光无广告院线资讯
386
5.0
HD中字
情感的力量

评分:5.0

更新时间:02月09日

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

简介:

  The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
  Alexander Kluge: The Power of Feeling
  When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
  The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
  The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
  I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

阅读量:4895

年份:1983

情感的力量

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

最后的派对TheLastParty

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